On an inner wall of almost 200m2 in Kunstpunt Groningen, artist Beth Wong has free rein to experiment. A unique opportunity, because not often artists have the opportunity to experiment freely on a large scale. Still, working in public space, such as art on facades, squares and parking garages, requires some practice. Beth explains what the project The Wall means to her.
I have been exploring different options to support my artistic career and purpose. I came across this opportunity that intrigued me, as it encouraged me to explore unfamiliar artistic fields. Despite being unsuccessful in my previous attempt to apply for this challenge, I eventually came up with some new ideas. I gave it another shot and submitted my application.
I am conducting artistic research to explore how to convey quietness and nuanced storytelling through art on a monumental scale. The initial plan is to re-perform "Flying Moustache”. The painting was inspired by birds that resembled moustaches against the vast sky. As I worked on the project, the idea evolved and became more site-specific. I began to ask questions about the space and its connection to my stories. I am also looking into what flying objects mean to me symbolically. This led me to write a poem/riddle, which will serve as the basis for The Wall. Making a sky the sky Making a land the land What travels between them What merges them Birds, kites, balloons planes, clouds, satellites Crashing stars That we once wished upon Shall be placed again.
I want to create a piece with poetic, minimalistic, and painterly aesthetics. Though my usual medium is acrylic paint on canvas, I recognise the importance of selecting materials that align with my vision and complement the location and concept. Therefore, I have expanded my material exploration. I decided to use mule cotton, acrylic and tape at this stage of development. Although it may be an unconventional combination, I have chosen these materials for their lightness, elegance, and temporariness.
Upon coach Aimée Terburg's recommendation, I began the project by immersing myself in the environment, specifically the large wall. This involved physically interacting with the wall, feeling its texture, observing it from different angles, and silently contemplating its presence. Sketching and writing also played an important role, allowing me to claim ownership of the space and approach it as though it were my studio. Technical details and execution calculations were addressed later in the process.
The largest piece I've created so far is Flying Moustache, which measures 150x200cm, canvas stretched on the frame. Up until now, I haven't installed anything larger than three meters.
Painting involves a certain level of spontaneity and instinctual decision-making. I will have to witness the experiment to decide whether it was successful. I would greatly appreciate any progress that represents improvements and bravery.